https://mauriziotedde.com MaurizioTedde Tue, 04 Apr 2023 09:57:34 +0000 https://mauriziotedde.com en https://mauriziotedde.com/About Tue, 15 Feb 2022 22:11:00 +0000 MaurizioTedde https://mauriziotedde.com/About <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8dfb1aa69795d70aac8244f200130c94b941fe263f4ed40e38aaa3fda5bde3be/WhatsApp-Image-2022-02-15-at-21.13.40.jpeg" data-mid="133616730" border="0" data-scale="100" src="https://freight.cargo.site/w/768/i/8dfb1aa69795d70aac8244f200130c94b941fe263f4ed40e38aaa3fda5bde3be/WhatsApp-Image-2022-02-15-at-21.13.40.jpeg" /> Maurizio Tedde, b. 1996, studied composition at the Conservatoire Luigi Canepa in Sassari, under the guidance of Marco Momi and Alberto Ezio Colla, where he obtained his bachelor degree cum laude in 2018. He attended the master program in composition at the Royal Conservatoire in The Hague under the guidance of Yannis Kyriakides and Peter Adriaansz, focusing on the relationship between live performance and record, between concert and studio. In 2020 he attended the composition course at the Accademia Chigiana in Siena with Salvatore Sciarrino, and he was awarded the merit diploma. His works have been performed in venues such as Splendor (Amsterdam), Kunstruimte KuuB (Utrecht), Theater De Vaillant (Den Haag), Korzo Theater (Den Haag), Orgelpark (Amsterdam), SMOG (Brussels), Villa Olmo (Como) and Palazzo Chigi-Saracini (Siena) by ensembles such as Modelo62 and Prometeo Quartet. His works include pieces for ensemble, solo, as well as acousmatic and audio visual pieces. 
 He is a co-founder of the musical association Labiritmo, established in Sassari in 2014 with the aim of promoting contemporary music. Together with Antonio La Spina he is part of The Roquentin, who are about to release their first studio album “A Portrait of the Artist as a Young Band”. https://mauriziotedde.com/Venus-Station Mon, 03 Apr 2023 08:32:06 +0000 MaurizioTedde https://mauriziotedde.com/Venus-Station Venus Station&nbsp; For ensemble and electronics [12’] 2022 Maurizio Tedde · Venus Station (2022) 24 March 2022 - Premiere, Splendor, AmsterdamEnsemble Modelo62 From the receiver came a buzz like K. had never heard on the telephone. It was as if from the buzz of innumerable children's voices - but it was not a buzz, it was a song of distant, very distant voices - as if from this buzz, in a way that was frankly impossible, a single voice formed, high-pitched but strong, that struck the ear as if it demanded to penetrate more deeply, beyond the miserable hearing organ. K. listened without speaking, he leaned his left arm against the telephone shelf and listened.&nbsp; The Castle - Chapter 2, Barnabas We hear these incessant phone calls in the village telephones as a song and a murmur, which I am sure you have also heard. But that buzzing and that singing is the only accurate and trustworthy thing that our telephones transmit to us, everything else is a lie. The Castle - Chapter 5, At the Mayor's Organic interference. In radio, the act of tuning in implies a confrontation with a series of options, a choice between various possible worlds. The choice may be clear, but in the gaps between stations, it sometimes seems that these worlds overlap and come into contact with each other, a fragile coexistence. Any telephone can casually intercept, during a call, radio frequencies that may be more or less distant from both sides of the receiver. What is often dismissed as disturbance, is the potential gateway to another reality; a strange alignment that gives a glimpse of an oneiric, or perhaps terribly real, world. What if interference were an act of creation? A superposition of frequencies, the distortion resulting from their interactions, an output far removed from the input signals. Even if it was chance, or error, that produced the interference, even if its medium is some inanimate object, there is something incredibly organic about the process, an artificial genesis, a radial conception. And if this is true of the creative process, then even this resulting signal could in rare cases come close to life, acquire for a moment the imperfection of a human breath. Such a frail song could move to compassion. It sounds almost like an arcane folk music, and may aspire to be the premonition of a digital folklore; the folklore of a concealed people, who never existed, or rather, who live in parallel in an unknown space and time. In Venus Station, interference is in this sense a portal to the occult, the unexplored. It is a casual evocation, not yet regulated by ritual. It is also the search for a new alchemical state, a panic ritual of an alien mythology. But these are no more than conjectures; the voices, the shadows, the images that are glimpsed, as well as their nature, are unknown, or lost to the ages. https://mauriziotedde.com/L-Autodidatta Tue, 15 Feb 2022 22:11:00 +0000 MaurizioTedde https://mauriziotedde.com/L-Autodidatta L’ Autodidatta For electric bass guitar and tape [7’] 2019 Maurizio Tedde · L'Autodidatta (2019) "The reconquest of the lost Urgency passes through Obstinacy. It is settled: my education will take place in alphabetical order. Letter K”. Basilius Valentinus 2 September 2019 - Premiere, Arnold Schöenbergzaal, Royal Conservatoire Den Haag Bass guitar: Maurizio Tedde https://mauriziotedde.com/Geulincx-towards-the-East Mon, 03 Apr 2023 08:10:04 +0000 MaurizioTedde https://mauriziotedde.com/Geulincx-towards-the-East Geulincx towards the East For two pianos tuned a quarter tone apart or piano and transducers [6’] 2019 - 2022 Maurizio Tedde · Geulincx Towards The East (2019-2022) "I who had loved the image of old Geulincx, dead young, who left me free, on the black boat of Ulysses, to crawl towards the East, along the deck. That is a great measure of freedom, for him who has not the pioneering spirit. And from the poop, poring upon the wave, a sadly rejoicing slave, I follow with my eyes the proud and futile wake. Which, as it bears me from no fatherland away, bears me onward to no shipwreck.”.Samuel Beckett 2 April 2019 - Premiere, Arnold Schoenbergzaal, Royal Conservatoire Den Haag https://mauriziotedde.com/Two-Round-Songs Tue, 15 Feb 2022 22:10:59 +0000 MaurizioTedde https://mauriziotedde.com/Two-Round-Songs Two Round Songs Percussions, portativo and electronics [9’] 2020 "The two primary motions are rotation and sexual movement. These two motions are reciprocally transformed, the one into the other. Thus one notes that the earth, by turning, makes animals and men mate, and (because the result is as much the cause as that which provokes it) that animals and men make the earth turn by mating. These considerations present indissoluble relationships with such insignificant facts as the production of a series of sounds.” Don Fernando Àlvarez de Toledo Y Pimentel 15 February 2020 - Premiere, Orgel &amp; Percussie: Slagwerk Den Haag, Orgelpark Amsterdam Percussions: &nbsp;Alexander Göransson, Rasmus Osbeck Organ: Ere Lievonen <img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/184874572ae6354bed149d8c91d4aed20a58dd94dd86a8460ef10e6d97ea7360/IMG-20200214-WA0002.jpg" data-mid="133615224" border="0" src="https://freight.cargo.site/w/1000/i/184874572ae6354bed149d8c91d4aed20a58dd94dd86a8460ef10e6d97ea7360/IMG-20200214-WA0002.jpg" /> https://mauriziotedde.com/Enough-Round-Songs Tue, 15 Feb 2022 22:11:00 +0000 MaurizioTedde https://mauriziotedde.com/Enough-Round-Songs Enough Round Songs For string quartet [7’] 2020 31 July 2020 - Premiere, Palazzo Chigi Saracini, Siena.Quartetto Prometeo https://mauriziotedde.com/Contacts Tue, 15 Feb 2022 22:16:57 +0000 MaurizioTedde https://mauriziotedde.com/Contacts Contacts EMAIL : mauriziotedde1996@gmail.com SOUNDCLOUD :&nbsp;https://soundcloud.com/user-419989174 FB:&nbsp;https://www.facebook.com/maurizio.tedde.31/ FB LABIRITMO:&nbsp;https://www.facebook.com/LabiritmoContemporaryMusic https://mauriziotedde.com/Bio Tue, 04 Apr 2023 09:49:32 +0000 MaurizioTedde https://mauriziotedde.com/Bio <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8dfb1aa69795d70aac8244f200130c94b941fe263f4ed40e38aaa3fda5bde3be/WhatsApp-Image-2022-02-15-at-21.13.40.jpeg" data-mid="174188038" border="0" src="https://freight.cargo.site/w/768/i/8dfb1aa69795d70aac8244f200130c94b941fe263f4ed40e38aaa3fda5bde3be/WhatsApp-Image-2022-02-15-at-21.13.40.jpeg" /> Maurizio Tedde, nato nel 1996, ha studiato composizione presso il Conservatorio Luigi Canepa di Sassari, sotto la guida di Marco Momi e Alberto Ezio Colla, dove ha conseguito la laurea triennale con lode nel 2018. Ha frequentato il programma di master in composizione presso il Royal Conservatoire dell'Aia sotto la guida di Yannis Kyriakides e Peter Adriaansz, concentrandosi sul rapporto tra esecuzione dal vivo e registrazione, tra concerto e studio. Nel 2020 ha frequentato il corso di composizione all'Accademia Chigiana di Siena con Salvatore Sciarrino, ottenendo il diploma di merito. Le sue opere sono state eseguite in sedi quali Splendor (Amsterdam), Kunstruimte KuuB (Utrecht), Theater De Vaillant (Den Haag), Korzo Theater (Den Haag), Orgelpark (Amsterdam), SMOG (Bruxelles), Villa Olmo (Como) e Palazzo Chigi-Saracini (Siena) da ensemble quali Modelo62 e Quartetto Prometeo. Il suo catalogo comprende lavori per ensemble, strumento solo, così come opere acusmatiche e audiovisive. È cofondatore dell'associazione musicale Labiritmo, nata a Sassari nel 2014 con l'obiettivo di promuovere la musica contemporanea. Insieme ad Antonio La Spina fa parte dei The Roquentin, che hanno in lavorazione il loro primo album in studio "A Portrait of the Artist as a Young Band". https://mauriziotedde.com/Venus-Station-IT Tue, 04 Apr 2023 09:57:28 +0000 MaurizioTedde https://mauriziotedde.com/Venus-Station-IT Venus Station&nbsp; Per ensemble ed elettronica [12’] 2022 Maurizio Tedde · Venus Station (2022) 24 Marzo 2022 - Premiere, Splendor, AmsterdamEnsemble Modelo62 Dal ricevitore proveniva un ronzio come K. non aveva mai sentito al telefono. Era come se dal ronzio di innumerevoli voci di bambini - ma non era un ronzio, era un canto di voci lontane, lontanissime - come se da questo ronzio, in un modo francamente impossibile, si formasse un'unica voce, acuta ma forte, che colpiva l'orecchio come se pretendesse di penetrare più a fondo, oltre il misero organo dell'udito. K. ascoltava senza parlare, appoggiava il braccio sinistro alla mensola del telefono e ascoltava. Il castello - Capitolo 2, Barnabas Queste incessanti telefonate nei telefoni del villaggio le sentiamo come un canto e un mormorio, che sono certo avrete sentito anche voi. Ma quel ronzio e quel canto sono l'unica cosa accurata e affidabile che i nostri telefoni ci trasmettono, tutto il resto è una bugia.Il castello - Capitolo 5, Dal sindaco Interferenze organiche. Nella radio il gesto della sintonizzazione presuppone il confronto con una serie di possibilità, la scelta tra vari mondi possibili. La scelta può essere pura, ma nelle intercapedini tra una stazione e l'altra sembra talvolta che questi mondi si sovrappongano ed entrino in contatto tra loro, una fragile convivenza. Un qualsiasi telefono può intercettare casualmente, durante una chiamata, radiofrequenze più o meno lontane. Quello che viene derubricato come disturbo, è in potenza la porta d’accesso verso una realtà altra; uno strano allineamento che lascia intravedere un mondo onirico, o forse terribilmente reale. E se l'interferenza fosse un atto creativo? Una sovrapposizione di frequenze, la distorsione derivante dalle loro interazioni, un output lontano dai segnali iniziali. Anche fosse stato il caso, o l'errore, a produrre l'interferenza, e nonostante il suo tramite sia costituito da oggetti inanimati, c'è qualcosa di terribilmente organico in questo processo, una genesi artificiale, un concepimento radiale. E se questo è vero per quanto riguarda il processo creativo, allora anche il segnale risultante potrebbe avvicinarsi in rari casi alla vita, acquistare per un momento l'imperfezione di un respiro umano. Questo canto così fragile muove a compassione, suona quasi popolare, è forse il principio di un folklore digitale; il folklore di un popolo celato, mai esistito, o meglio, che vive parallelamente in uno spazio e in un tempo ignoti. In Venus Station l’interferenza è in questo senso un portale verso l’occulto, l’inesplorato. È un’evocazione casuale, non ancora normata dal rito. È anche la ricerca di un nuovo stato alchemico, un rituale panico di una mitologia aliena. Ma queste non sono altro che congetture; le voci, le ombre, le immagini che si intravedono, così come la loro natura, sono ignote, o perse nei secoli. https://mauriziotedde.com/L-Autodidatta-IT Tue, 04 Apr 2023 09:57:34 +0000 MaurizioTedde https://mauriziotedde.com/L-Autodidatta-IT L’ Autodidatta Per basso elettrico ed elettronica [7’] 2019 Maurizio Tedde · L'Autodidatta (2019) "La riconquista dell’Urgenza passa attraverso l’Ostinazione. È deciso: mi istruirò rigorosamente in ordine alfabetico. Lettera K”. Basilius Valentinus 2 Settembre 2019 - Premiere, Arnold Schöenbergzaal, Royal Conservatoire Den Haag Basso elettrico: Maurizio Tedde